I love podcasts — I love listening to them and I love being interviewed on them.
Regular readers have already heard me sing the praises of Malcolm Gladwell’s Revisionist History. Gladwell doesn’t just deliver a fascinating story each week, he also offers a subtle lesson in how to write well. Well? Brilliantly.
I talk a lot about the importance of reading good writing. Gladwell reminds me that it’s equally important—actually, maybe more so—to listen to good writing.
I should have mentioned Revisionist History when Pete Mockaitis, the host of the podcast How to Be Awesome at Your Job, asked me about good material to read. Guess I was in a literal mood that day. And while pretty much every episode of Revisionist History would make a damn fine book, it’s still a podcast.
I love Gladwell’s podcast so much that I included it in the “great writing” I analyze for the writers who subscribe to my Weekly What program. You’ll hear more about that tomorrow. But—seriously—when was the last time you heard a podcast put together with enough thought that it deserved a deep analysis? Yeah, I thought so. If you haven’t heard Revisionist History yet, start here at episode one. You’re welcome.
I love podcasts (lots of podcasts)
I also love more anarchic podcasts, like the ones from the Crooked Media stable. Actually, Pod Save the World, Pod Save the People, and Friends Like These have too much structure to call them “anarchic.” Lovett or Leave It, Jon Lovett’s podcast, has been gradually acquiring more structure, although the lineup of guest comedians remains hit-or-miss. (This episode, however, shines.) But their flagship show, Pod Save America, feels like I’m eavesdropping on a conversation between some really smart friends.
Whatever the format, I listen because—well, because Lovett and Jon Favreau are speechwriters. Ya gotta support the tribe, right? And because I appreciate the insights of all of the “Crooked” podcast hosts in these baffling, frustrating, and scary times.
But there’s a qualitative difference between podcasts that capture free-flowing conversation and tightly scripted podcasts like Gladwell’s. It’s the difference between watching a baseball game and a baseball documentary. Both tell stories, but the stories may be a little harder to tease out from the live event. Unless a junior league outfielder falls over the fence in pursuit of a sure home run and catches the baseball. Now, that’s a story.
Anyway, you can catch up on all my podcasts here. Can you tell the difference between the ones I prepped for and the ones where I winged it? Whatever the format, I’m just happy to be contributing to this fabulous new medium. Because—I’m not sure if I mentioned this: I love podcasts.