Q: Why do I have to do it if it’s hard?
A: You don’t. It’s a choice you make.
I call this feature “Frequent Questions” rather than Frequently Asked Questions. But I don’t see this question all that often. And I’ll be honest, I’m glad about that.
Creating is hard. You bare your soul and sometimes all you get in return is a yawn. You spend months preparing—whether you’re sweating over your computer while everyone you know is off partying, or scraping the dried paint off your skin after a day of Jackson Pollock-ing in your studio, or rehearsing your cabaret show until you can sing it in your sleep. Then the big reveal and…
No one reads your book. No gallery even hangs your painting. People stay away from your lovingly crafted cabaret show in droves. I’ve got lots of personal experience with that last one.
Yeah, it’s hard. So?
Of course it hurts. When you’ve got six people in a room that seats 100 and three of them talk through the whole show—not fun. Once I was performing in a musical at a tiny, non-air-conditioned theatre during a heatwave. One night, two-thirds of the audience left at intermission; we played the second act to one person. Got a standing ovation, though. Or maybe he was just trying to beat the rush to the taxis (in New York City, you never know.)
The musical thing didn’t really bother me (except for the heat). It wasn’t my show; it wasn’t my story. My cabaret shows, on the other hand, each new show was better than the one before. I won awards, I got a review in The New York Times. And I was still scrounging for audiences.
But I had something to say, so I said it. I chose to say it. I made the decision to put myself out there, whether or not an audience came along for the ride.
You write (or paint, or sing) because you have to on some level. But creating is also a choice. If you make that choice, embrace it. Do the thing you love because you love it. If the hard part feels too hard, then by all means stop doing it. What you don’t get to do is complain.
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