“I just didn’t get the potatoes.”
No, my friend wasn’t talking about an unexpectedly starch-free dinner. She was talking about a metaphor. Or, I suppose since they were literal potatoes rather than descriptions of potatoes, we should properly call them a symbol.
We had gone, separately, to see the production of Leonard Bernstein’s rarely seen musicalization of the Peter Pan story. At the opening of said production, a group of young people in yellow hazard suits wheeled a metal shopping cart full of potatoes onstage. They then spent several minutes scurrying back and forth, lining the potatoes up at the front edge of the stage. I think this action took place instead of a traditional overture. And if you’re wondering what potatoes have to do with Peter Pan, you are clearly not alone.
One of the primary rules of good directing is if you put something onstage, you have to use it. If the set has a balcony, you can expect someone will appear on it before the final curtain. If there’s a door, it will get slammed. If there’s a row of potatoes…well, Wendy affixed one around her neck (she told Peter it was a kiss) and it later saved her from being killed by an arrow. And Captain Hook’s crew speared them and cooked them like marshmallows over their campfire. That was enough to justify their existence for me.
Oh, and the shopping cart in which the potatoes made their original entrance! We saw that again, put to delightful use when it ferried a mermaid with a lovely voice across the stage at key moments. Well, you wouldn’t expect a mermaid to walk. She sat on top of the cart, waving her fin seductively.
Perhaps you can tell, this Peter Pan was a very fanciful production. Quirky and weird, and for the most part charming.
Use your potatoes—er, metaphors—wisely
But the potatoes.
My friend who didn’t “get” them is no rube. She’s a longtime theater reviewer around these parts; she’s seen it all. But I have to agree with her. The potatoes did seem rather random. Although the director made an effort to incorporate them in the stage business, there’s no real reason the items in question had to be tubers. They could as easily have been stuffed animals, or marshmallows, or pool noodles, or…
You might easily run into the same problem with your writing. Tell stories, use metaphors — by all means! But whatever you use must tie in with the theme of your work.
That’s not to say you need to address it in every paragraph. No faster way to bore a reader.
But if you start the piece with it, find a way to bring it back at the end. That will deliver a very satisfying experience for your reader. Bonus points if you can mention it lightly somewhere in the middle, but circling back to it at the end will tie up your writing in a neat little bow.
Oh, and this may go without saying, but don’t use potatoes. I mean, you can if they tie into your subject clearly. But don’t leave your audience scratching their heads—they might spend so much time trying to figure out your metaphor that they completely forget the important ideas you’re delivering.
Or they’ll find themselves craving French fries by the end of your speech.
Discover how to find unique metaphors and use them to make your work unforgettable. Join me on a field trip to the Getty Center in Los Angeles. Details here.